Book Review: Like the Radiant Sun

Like the Radiant Sun

Book: Like the Radiant Sun

Author: Anu Kay

Genre: Mythology, Magical Realism, Fiction

Review Copy: Himalayan Book Club

Available at: Amazon.in

Recommended: Must Read!

Anu Kay’s novel, Like the Radiant Sun, is an engaging tale spanning a plethora of themes. It is a thriller full of suspense with the mild aroma of a romance playing out in the foreground of a mystical, mythological drama. It has the feel of a Bollywood movie and the enticement of a well-researched and rendered novel. 

Is it destined or planned that a precious, ancient text lands in the hands of an archaeologist, Rohan Sharma? He is just the man to appreciate, interpret, and preserve the words, outlining a rare discipline of combat with esoteric origins. But is he also the man who embodies the physical and mental prowess to outsmart the baddies desperate to lay their hands on the Marma Kala, an ancient manuscript on martial arts?

In the background of this intellectual pursuit lurks a gruesome mystery of a dead priest and a woman in dreadlocks. On this premise, the writer builds a fascinating story oft intercepted by quotes and passages from ancient Indian texts. The book has a fast pace and yet finds space for some attractive imagery, such as, “With cracks of thunder, rain followed like a torrent, whipping up the angry waters of the river.”

Mysterious people across some significant places in India – Varanasi, New Delhi, Kerala, and the revered Mount Kailash – pursue the protagonist. The writer brings out the mesmerizing charm and history of these places. She calls Varanasi, “a magnificent amphitheater of a bygone era.” She draws up pictures with words. For example, there is a scene of a person draped in a red shawl, spurring his black horse through the hills of a spice plantation, as dark clouds loomed.

There is occult, bloodshed, suspicious characters, and a narrative that keeps you on the edge. References to mystical symbols, seals, ancient arts and medicine, and mythological tales embellish the story. When you are reading fiction but bookmark items for further research, the writer has successfully captured your attention.

The language is polished and carefully edited, which makes the reading smooth. The characters are well-fleshed out. Their backgrounds are well-enunciated to make it easier to grasp their intentions. The book cover art speaks to the theme of the book and outlines a significant character. I felt the book title could have been more imaginative and alluring. As a lover of historical and mystical stories, Anu Kay’s work provides me with a fine piece of fresh and engaging literature that truly brings out the charm of our Indian heritage.


Book Review: Inauspicicous

Book: Inauspicious

Author: Renée L. K. Eastabrooks

Genre: Contemporary Fiction

Review Copy: Reedsy

Available at: Amazon.com

Some aspects of our society and cultural mores are so horrifying that we strive to keep them under wraps. It takes someone with courage, compassion, and empathy to bring forth depraved secrets so that the evil can be ripped apart at the roots. Renée L. K. Eastabrooks pens down the true story of a young widow in Rajasthan, who miraculously escapes the burning pyre of Sati, and goes on to search for a new life across continents. Easterbrook’s novel – Inauspicious – contains insights from her month-long trip to northern India where she worked with widows and street children.

Sati, the practice of burning alive a widow on the pyre of her dead husband, is illegal in India. However, in the hinterlands, the widow is a financial and social burden, and an entire custom is perpetuated to get rid of her while crowning her with divinity. In this horrifying landscape, a young widow, Triti, escapes a lit pyre and through sisterhood and kindness, and the power of her dreams and forte attempts to rewrite her destiny. The novel is gripping from the start and has the reader rooting for the protagonist.

The writer is invested in the local landscape and heritage. The book contains verses, local lullabies, songs, and a few colloquial dialogues. Amidst the sorrow and the depravity, the descriptions of colors, bazaars, spices, jewelry, bring out the visual vibrancy for which Rajasthan is well-known. Eastabrook’s writing is evocative and the observant narrative fills the pages of an otherwise troubling story.

Initially, it seems Triti’s recovery and journey to Delhi and then to New York is not only swift but convenient. A quarter into the book, the 18 years old, Triti, has changed her identity and moved out of the country, only to discover the smoke and mirrors in the world. Her trysts are yet to unfold.

This is a story of sheer grit and the desire to survive, against all odds. From small towns and impoverished societies rise some of the strongest souls who become an inspiration. Triti’s story, even in adversity, speaks of the power of serendipity and the inner strength that can pave the path for redemption and healing if ever there is for those who have experienced the darkest depths of society.

Vacation Interrupted – Sikkim, 2017 – Part 3

June 8, 2017 – Winding up our site-seeing, we reached our cosy hotel-with-a-view in Gangtok from Lachung in Sikkim. Our intent was to shop, laze around, relax in the night, devour a leisurely breakfast buffet the next morning, drive down back to Bagdogra, and fly back home in the evening. In Gangtok, we heard murmurs of violence in Darjeeling, West Bengal. An agitation was brewing against the alleged imposition of Bengali language on the locals.

We were advised to leave early the next day to catch our flight from Bagdogra. Later that evening, at MG Road, jam packed with tourists, the atmosphere was tense. People enquired about the proclaimed bandh on June 9, and asked if they should drive back to Bagdogra in the night, instead of the morning. Tourists queued up at ATMs. It was difficult to get into the narrow offices of any of the cab-services providers.

Continue reading “Vacation Interrupted – Sikkim, 2017 – Part 3”

Perilous Mountains of Sikkim, 2017 – Part 2

Far from civilization, in extreme weather conditions, no connectivity, living each day in disciplined rhythm, probably the soldiers also wait for the colourful, boisterous tourists to arrive at their sentinel!

Literally, the last frontier for civilian vehicles, the Zero Point, Yumthang in North Sikkim, just 15 km from the China border, is your chance to see and touch remnants of the winter snow, in the month of June. The area is barren but the treacherous journey is picturesque, the eternal romance of the mountains and clouds changing colors and tactics on alpine slopes. Sometimes you can see the blush of pink mountain flowers, many times the rugged energy of a river breaking down the mountain, rock by rock, stone by stone!

Tourists follow the serpentine rugged roads to reach the cold altitude of 15000 feet. They stand in awe at what is the edge of a certain part of the country and they cross a rickety plank bridge to touch the crumbling snow. In winter months, travelers engage in snow ball fights in rented gear!

Photo highlight – Freezing temperature and the husband carrying snow across the plank bridge, in his hands so that the children could hold it!

Continue reading “Perilous Mountains of Sikkim, 2017 – Part 2”

Touristy Notes from Sikkim, 2017 – Part 1

Tiny tots like him walk to school on weekdays with siblings, trotting dangerously along the edge. It is scary but they look unperturbed, their cheeks red under the clear mountain sun.

The month of June brings back memories of summer vacations and travels to lands far and fair. In June 2017, our family of 3 went to Sikkim with family friends and relatives. I took notes on my phone, posting them along with pictures on my Facebook page. I bring them out here to share impressions that stay forever.

Lachen Monastery, Sikkim

We were soaking in the blue skies, admiring the mountains, and the peace, letting our prayers flutter in the wind, along with the prayer flags.

Continue reading “Touristy Notes from Sikkim, 2017 – Part 1”
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