The writing community always gives. From words and encouragement to gratitude and encouragement. This year I dedicated myself to reading self-published and Indie writers and reviewing books that made a difference.
As a Reedsy Disovery and Himalayan Book Club book reviewer, I discovered a whole new world. Previously, I also reviewed books for Juggernaut but it dwindled due to time constraints. Several writers have reached out to me through social media platforms with comments on my reviews. Some have chosen me to review their book, which gives me much joy.
I am glad to be one of these creative writers and it surely warms the cockles of my heart to receive personal notes from authors. A few have connected with me to talk about their writing inspirations and their next work. I was able to provide editorial guidance to a self-published writer who was seeking help with her young adult trilogy. It has been an exciting journey and I hope to keep the momentum in 2022 also. It is not only important to write but to support other writers, too.
Anu Kay’s novel, Like the Radiant Sun, is an engaging tale spanning a plethora of themes. It is a thriller full of suspense with the mild aroma of a romance playing out in the foreground of a mystical, mythological drama. It has the feel of a Bollywood movie and the enticement of a well-researched and rendered novel.
Is it destined or planned that a precious, ancient text lands in the hands of an archaeologist, Rohan Sharma? He is just the man to appreciate, interpret, and preserve the words, outlining a rare discipline of combat with esoteric origins. But is he also the man who embodies the physical and mental prowess to outsmart the baddies desperate to lay their hands on the Marma Kala, an ancient manuscript on martial arts?
In the background of this intellectual pursuit lurks a gruesome mystery of a dead priest and a woman in dreadlocks. On this premise, the writer builds a fascinating story oft intercepted by quotes and passages from ancient Indian texts. The book has a fast pace and yet finds space for some attractive imagery, such as, “With cracks of thunder, rain followed like a torrent, whipping up the angry waters of the river.”
Mysterious people across some significant places in India – Varanasi, New Delhi, Kerala, and the revered Mount Kailash – pursue the protagonist. The writer brings out the mesmerizing charm and history of these places. She calls Varanasi, “a magnificent amphitheater of a bygone era.” She draws up pictures with words. For example, there is a scene of a person draped in a red shawl, spurring his black horse through the hills of a spice plantation, as dark clouds loomed.
There is occult, bloodshed, suspicious characters, and a narrative that keeps you on the edge. References to mystical symbols, seals, ancient arts and medicine, and mythological tales embellish the story. When you are reading fiction but bookmark items for further research, the writer has successfully captured your attention.
The language is polished and carefully edited, which makes the reading smooth. The characters are well-fleshed out. Their backgrounds are well-enunciated to make it easier to grasp their intentions. The book cover art speaks to the theme of the book and outlines a significant character. I felt the book title could have been more imaginative and alluring. As a lover of historical and mystical stories, Anu Kay’s work provides me with a fine piece of fresh and engaging literature that truly brings out the charm of our Indian heritage.