Book Review: I thought the adventure would never end

Sumedha Dogra – Book cover

Book: I thought the adventure would never end

Author: Sumedha Dogra

Genre: Fiction, Short stories

Review copy: Himalayan Book Club

Available at: Amazon.in

Recommended: Liked It

Author Sumedha Dogra brings to life tales of nostalgia in an anthology of short stories – I Thought The Adventure Would Never End. The first two stories have female characters – strong and independent. Sanju masi and Sujata, the protagonists in the two stories, are leading lives on their terms. The writer draws up charming imagery of elegant old houses, amidst nature, filled with memories, where her leading ladies indulge in their interests – nurturing plants or writing.

Are they blissful or “bored”; “jaded by pragmatism” or jubilant in a suitable existence that women in their thirties seek? Is it true that “Life stops getting better than it is” for these women? In two tender stories, Sumedha brings forth some existential questions that make us ponder.

When a television-casting agent meets the interesting Ms. Angie, does his life turn upside down? The writer weaves a captivating story in Current Affairs, wherein what seems unconventional may be the practical way to accept life’s truths. A mishap in Goa helps a young mathematics teacher discover shades of his personality. In this catching story, To Integers and beyond, the writer experiments with themes of nostalgia and narrates stories from a school in Goa.

The Last Day of the Burger starts on an enterprising and humorous note, but does it stay that way till the end? As is the penchant with most people, their lives eventually are more ironic and their destinies more tyrannical than they can bear. In childhood play, a young, athletic girl tries hard to find a place in the team of her three brothers and gives Sumedha an energetic tale to tell. The last story in the book, Goodbye, has a line that lyrically sums up the spirit of this collection – “The yellow-colored memories of languorous afternoons spent on the lap of a lover.”

The writer has crafted humane stories with love, and they reflect her power of observation and imagination. The characters are relatable and they charm us, even when we can see where the story is headed. A weak element in this book is the editing. Some stories could have fewer words and the narration could have been better. If we can look past this, then Sumedha’s work is creative and entertaining, and a worthy attempt at storytelling about ordinary people.

Book Review: Stars from the Borderless Sea

Shalini Mullick – Book cover

Book: Stars from the Borderless Sea

Author: Shalini Mullick

Genre: Fiction, Short stories, Romance

Review copy: Himalayan Book Club

Available at: Amazon.in

Recommended: Liked It

The stars manipulate destiny, passion is borderless, and longing is as deep as the sea, in Shalini Mullick’s book of three short stories. Shalini creates stories out of the mundane lives of men and women as they navigate the treacherous shenanigans of their hearts and nagging doubts in their minds. It’s the language of love that strings together the stories of youthful affection maturing into words that can only be contained in handwritten letters.

The stories are built on the vast premise of typical Indian households. The background of all of them is the dramatic transformation of an Independent India, with its still prevalent economic divide and enterprising people. Aroma of dal tadka and saccharine masala chai in a college canteen is juxtaposed against cold coffee and sandwiches in the first two stories. Red chilly pickle and mathris seem to represent the heat of resentment and saltiness in a newly married couple’s life in the third story. Such simple and vibrant details fill the spaces and instill the stories with life. Newspapers feature in each story, giving them a hint of nostalgia.

Shalini’s stories are well-written and have an emotional appeal. They endearingly elaborate on many aspects of life in India. The first story is well-researched in aspects of the Armed forces and the Rajwadas in post-independent India. There is a lyrical quality, a tenderness in the narration that stories of that era inherently possess. The kaleidoscope offers a peek into the many colors and flavors of our rich culture and society.

The second story has a more modern approach. It packs in a lot of elements, as it navigates the emotions of a successful couple and secrets that keep them distant through the years. The third is also centered on a modern working couple. I felt some of the narration was added to bulk up the word count. However, the writing is impeccable and it does not weigh you down.

The plotlines are predictable but generally most romantic stories have a common texture and theme, such is the nature of love. It’s the narration and the style that keeps one engaged. The author successfully keeps the reader involved. This is a good weekend read and will appeal to audiences who want to know more about Indian culture and those who want to read stories closer to home.

Book Review: Like the Radiant Sun

Like the Radiant Sun

Book: Like the Radiant Sun

Author: Anu Kay

Genre: Mythology, Magical Realism, Fiction

Review Copy: Himalayan Book Club

Available at: Amazon.in

Recommended: Must Read!

Anu Kay’s novel, Like the Radiant Sun, is an engaging tale spanning a plethora of themes. It is a thriller full of suspense with the mild aroma of a romance playing out in the foreground of a mystical, mythological drama. It has the feel of a Bollywood movie and the enticement of a well-researched and rendered novel. 

Is it destined or planned that a precious, ancient text lands in the hands of an archaeologist, Rohan Sharma? He is just the man to appreciate, interpret, and preserve the words, outlining a rare discipline of combat with esoteric origins. But is he also the man who embodies the physical and mental prowess to outsmart the baddies desperate to lay their hands on the Marma Kala, an ancient manuscript on martial arts?

In the background of this intellectual pursuit lurks a gruesome mystery of a dead priest and a woman in dreadlocks. On this premise, the writer builds a fascinating story oft intercepted by quotes and passages from ancient Indian texts. The book has a fast pace and yet finds space for some attractive imagery, such as, “With cracks of thunder, rain followed like a torrent, whipping up the angry waters of the river.”

Mysterious people across some significant places in India – Varanasi, New Delhi, Kerala, and the revered Mount Kailash – pursue the protagonist. The writer brings out the mesmerizing charm and history of these places. She calls Varanasi, “a magnificent amphitheater of a bygone era.” She draws up pictures with words. For example, there is a scene of a person draped in a red shawl, spurring his black horse through the hills of a spice plantation, as dark clouds loomed.

There is occult, bloodshed, suspicious characters, and a narrative that keeps you on the edge. References to mystical symbols, seals, ancient arts and medicine, and mythological tales embellish the story. When you are reading fiction but bookmark items for further research, the writer has successfully captured your attention.

The language is polished and carefully edited, which makes the reading smooth. The characters are well-fleshed out. Their backgrounds are well-enunciated to make it easier to grasp their intentions. The book cover art speaks to the theme of the book and outlines a significant character. I felt the book title could have been more imaginative and alluring. As a lover of historical and mystical stories, Anu Kay’s work provides me with a fine piece of fresh and engaging literature that truly brings out the charm of our Indian heritage.


Book Review: Bloodstone: Legend of the Last Engraving

The book brings forth deep research and impeccable imagination. The author’s personal experiences come alive in descriptions of the Kamakhya temple rituals and the religious fervor during the autumn worship of the Goddess. The exotic yet demanding terrain of the hills of Nepal is the backdrop of the tale of a simple village couple that breaks free of the shackles of matriarchy to redefine their fate. It is the story of motherhood – earthly and divine – always alive in mythology, legends, but most importantly in human faith.

Bloodstone

Book: Bloodstone: Legend of the Last Engraving

Author: Rashmi Narzary

Genre: Mythology, Historical Fiction, Fiction

Review Copy: Himalayan Book Club

Available at: Amazon.in

Recommended: Loved it!

Author Rashmi Narzary entwines the fascinating customs of the Kamakhya temple in the Nilachal hills of Assam, India, with the spectacular tradition of the Kumari Goddess in Tilibham, Nepal. In a fictional story that blends mythology and history, legends and existing beliefs, she creates an intriguing narrative centered around the Mother Goddess in South Asian culture. Across the snowy climes of Tilibham, a story blossoms out of loss and yearning, and like any tale of utmost passion and longing, it stretches beyond time and space to remind of the power of sadness to change destinies. The plot arc curves over this canvas. Conflict brims even after 3/4rth of the narration. Anticipation of the resolution makes the book unputdownable.

The book brings forth deep research and impeccable imagination. The author’s personal experiences come alive in descriptions of the Kamakhya temple rituals and the religious fervor during the autumn worship of the Goddess. The exotic yet demanding terrain of the hills of Nepal is the backdrop of the tale of a simple village couple that breaks free of the shackles of matriarchy to redefine their fate. It is the story of motherhood – earthly and divine – always alive in mythology, legends, but most importantly, in human faith.

Is this book prophetic? Read what the author thinks.

BLoodSTONE: LEGEND OF THE LAST ENGRAVING

It is also the story of love that transcends eons – of God Shiva, who mourns his beloved Sati and a Goddess, who must be reborn to fulfill the yearning of divine lovers. The book will make you crave more. Like me, you may seek more information on the traditions so exquisitely detailed. Divinity dwells in humanity that incessantly seeks it out; humanity survives in a deep faith in this power of the esoteric.

As a reader, I was mesmerized by the story. As an editor, I found the book lacking. It starts with repetitive text and descriptions that can be discouraging. After initial reluctance, one forges ahead into the enticing landscape of a wondrous story. The script demands a thorough edit as the repetitive information is distracting. The book would have sparkled with a crisp and concise approach, leaving more for the reader to imagine and savor, long after, the legend of the bloodstone reveals itself.

%d bloggers like this: